Daniel Radcliffe is his own toughest critic


envious of his inside edge.. maybe!

I know that Alan Radcliffe was a literary agent before he took on the responsibility of being the full time chaperone to his young son Daniel,  as he in turn took on the role of a lifetime as Harry Potter. So it might be a tad snarky of me to suggest that Daniel Radcliffe might have an easier road to hoe than most when it comes to getting anything he writes, be it poetry or novels before an agent or publisher for assessment.

But oh thank goodness Daniel too struggles with the ‘gremlins’ in his head (otherwise known as the itty bitty shitty committee) that compel him to believe that what he writes shouldn’t see the light of day.

“I try and write at the moment. I don’t know if I’m any good, as, normally,   when I write I’m so self critical that it’s not long before I have to throw  away what I write.”

It’s encouraging to know that other wannabe authors struggle with believing that they can produce works that other people are willing plunk down hard earned money to own something we have produced. Welcome to the club dude, welcome to the club!

Carrots, Cake and Ruth Saberton

 carrot cake
Everyone thinks that they have a great story to tell hidden deep within them.  Everyone thinks that writing 70-150,000 words that follow a clearly defined overall story arc is easy. Everyone thinks’ telling compelling stories with characters that are intriguing, real enough to be believable yet fictional enough to keep you out of a libel case at court is easy.

I’ve been honestly learning and reading books on the whole publishing industry gig for a couple of years now. I’ve read the statistics in a tonne of books on writing. Ive read the blogs of some people getting writing contracts literally thrown at them and I personally know of writers who have amazing stories to tell that have had nibbles from publishers but havent quite got over the finish line and landed the deal. I know that its practically impossible for someone to write a book and get it published.

But for those of us called to write our stories, its the carrot before the donkey. We know the realities of the uphill battle, and yet we keep going, because we feel compelled to write. But when that manuscript is in your hands, edited to within an inch of its life, what then? Of course, that carrot of publication dangles there, urging the writer on.  And carrots aren’t even my favourite vegetable (bring on the pumpkin!)

It’s not just the writing of a book that takes time and the personal conviction that what you have written is really good – publishable even. Ooooooh no, no, no. It’s the finding and convincing an literary agent to take you on as their client to sell your work. It’s the agents skill in finding a publisher who will take a risk on simply reading the first 50 pages of an unpublished author’s manuscript.  It’s not so easy.

Which is why I find the humour and the courage of Ruth Saberton  inspiring.  I find myself wondering, would I be brave enough to put a manuscript through the mail box of someone linked into the publishing industry? And that’s why I need to put this story up on KindaSassy. To remind me to never give up, no matter how mad the idea. That the carrot in front of me can eventually be turned into carrot cake if I’m just creative and sassy enough.